Aug 29, 2012

wolf prix on the Venice Biennale


Wolf Prix’s statement in full

If one did not know that the media constantly exaggerates, one could almost conclude – as the Süddeutsche Zeitung has – that the Venice Biennale of Architecture really is the world’s most important architecture exhibition.
However, I believe that the word “exhibition” is not intended to describe an exhibition in this case, rather that the notion only designates the event per se. In other words an industry meeting, like a product fair. Other critics fail to even question the purpose of the exhibition, rather they immediately conclude that the coming together, the meeting, the networking is the key aspect. That’s that!
I would like to maintain at this juncture that the meaning of the Venice Biennale of Architecture for theoretical arguments has been increasingly losing significance since its beginnings with the Strada Novissima by Paolo Portoghesi in 1980. Even the personal significance for the participants is very low when compared to the Art Biennale. So let us not deny the truth. This event is an expensive danse macabre. In a city of plunder (an exhibition of plunder) hordes of tourists (architects) roll along broken infrastructure in order to satisfy their petit bourgeois desire for education (in the case of the architects: vanity, envy, schadenfreude, suspicions). Even the glamour that the visitors are supposed to feel is staid and faked by the media for whom a star architect is like a film star.
In truth it is all hollow, arduous, exhausting, bleak and boring. It is no longer about lively discussion and criticism of topics in contemporary architecture, but rather about empty, conservative and perhaps populist shells that are charged with feigned meaning.
What a great Architecture Biennale it would have been had they established forums and put out themes which would have provided a chance to look behind the scenes at the decision-making, instead of boring exhibitions. Take for example the dispute about the train station in Stuttgart. The reasons for the cost explosion for prominent buildings such as, for example, the Elbe Philharmonic Hall. The political arguments about mosques and minarets, in other words the disputes about the localisation of an idea. Why the market for single-family homes in the USA has collapsed and how power politics is conducted through settlement architecture. These topics would be worthy of discussion – not who is and who is not a star architect.
However, instead of that we face: “People Meet in Architecture” and now “Common Ground”. In other words: compromise. It cannot get any worse!
This situation conjures an image of the Venetian carnival – one can imagine all the architects in Pierrot costumes surrounded by masked critics and dancing the Dance Banale, or, even better, the architects are playing on a sinking gondola like erstwhile the orchestra on the Titanic playing their last song, while outside in the real world our leaky trade is sinking into powerlessness and irrelevance. This is because politicians and project managers, investors and bureaucrats have been deciding on our built environment for a long time now. Not the architects.
While in Russia artists are stubbornly resisting the authoritarian regime, the current director of the Architecture Biennale considers these characteristics to be obstacles for our profession and he explains in an interview that space must be taken from the genius. One would have to show him Pussy Riots in order for him to finally understand our society.
Furthermore, I consider that the Venice Biennale of Architecture needs to be reorganised.

What is going on? Urban think-tank Golden Lion?

What is going on?
The firm Urban Think-Tank has won the Golden Lion in the Biennale di Venezia??????



This company has designed the following projects (check his website http://www.u-tt.com):

Anclemy
Anclemy
Hato Garza
Hato Garza
Telcel
Telcel
Street Children Home
Street Children Home
Street Children Home




Aug 28, 2012

list of films about architecture


STEINHAUS gunther domenig



I was recently at home visiting my parents on Ossiacher See, Austria, where I have been going my whole life… Austria is really the ultimate escape from China – clean air, clean water, blue skies I just couldn’t get enough of any of it. I was incredibly lucky with the weather and had a perfect week of blue skies and 30 degrees everyday! Whilst I was there I went to visit Guenther Domenig’s Steinhaus, I’ve been passing this house which is at the opposite end of the lake from us for quite a few years now. It has been under construction for what feels like forever but this year it was finished and open to the public. So I went for an evening wonder around the Steinhaus to have a look. It is incredibly serene and although the general public do not seem to be huge fans of it, it is referred to as the “monster”, I love it!
The house is rugged, geometrically rigorous, with casts in concrete, partially perforated by cavity bodies which Guenther Domenig claims refers to the particular landscape configurations of the mountain. The house is conceived as a kind of Architects escape, it breaks out of the rocks, without rocks being the main element. In dealing with the architecture of Carinthia Guenther Domenig, who died earlier this summer, turned against the “hypocrisy of an apparent home architecture.” The result is a beautiful and reflective building that we can now all enjoy.